The “after” cannot be defined. But the “now” and our moment in the particular moment can. For this reason alone, we need to live and enjoy things as they come to us each time. And if the daily grind overwhelms us, if the work seems endless, and our emotions are scattered around, without any reason or substance, we need to acknowledge them and live each moment meaningfully, because the moment we are expecting may never be. In one fraction of a minute can be devastating and catastrophic and we may lose once and for all all those future moments we dreamed of.
Love has no reason to wait. It is the greatest gift we have been given and once we feel it, it is imperative that we communicate it, no matter the cost. That is the purpose of this text. We have laid down some of our concerns and reflections regarding our “now” and our “after”. For every postponement, for every no, for every expectation. For all of us to reflect and see how important the present is before we finally take life into our own hands. For as long as we can.
Funded by the Department of Cultural Services.
Script: Marina Frageskidou – Stelios Theocharous
Οn stage: Niovi Charalambous, Myrsini Christodoulou, Stephanie Mourouzi
Movement: Georgia Andreou
Music and sound effects: Christos Kyriakoulis
Costume choices: ERMAROLLA PONYTAILS – Antreana and Thelxia Fragkoudes
Poster design: George Ioannou
Director: Stelios Theocharous
The aim of the play is to provide images through the monologues translated into emotions, so that the viewer can identify, sympathize, and reflect with the ultimate goal of his own “catharsis”.
Our interest is focused on the psychological aspects of the three characters and not on the everyday superficial routine. That is why we restrict ourselves to the limits of a realistic approach with simple movements so that more emphasis is placed on the monologues than on spectacular movements or demonstration of acting skills.
At the same time, with a small combination of sounds and music, we will try to create an atmosphere where each viewer will be able to “smell” or “taste” the moments differently, based on their personal experiences.
In the performance we hear sounds from “memories” of each role, sounds originating from the rehearsal.
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